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- Notes on Kabbalah
-
- The author grants the right to copy and distribute these Notes provided
- they remain unmodified and original authorship and copyright is retained.
- The author retains both the right and intention to modify and extend
- these Notes.
-
- Release 2.0
- Copy date: 15th. January 1992
-
- Copyright Colin Low 1992 (cal@hplb.hpl.hp.com)
-
- ****************************************************************************
-
- Chapter 4: The Sephiroth (continued)
- ========================
- This chapter provides a detailed look at each of the ten
- sephiroth and draws together material scattered over previous
- chapters.
-
- Daath and the Abyss
- -------------------
-
- "When you look into the abyss, the abyss also looks into
- you"
- Nietzsche
-
- "Nothingness lies coiled in the heart of being - like a
- worm"
- Sartre
-
- In modern Kabbalah there is a well developed notion of an
- Abyss between the three supernal sephiroth of Kether, Chokhmah,
- and Binah, and the seven lower sephiroth. When one looks at the
- progress of the Lightning Flash down the Tree of Life, then one
- finds that it follows the path structure connecting sephiroth
- *except* when it makes the jump from Binah to Chesed, thus
- reinforcing this idea of a "gap" or "gulf" which has to be
- crossed. This notion of an Abyss is extremely old and has found
- its way into Kabbalah in several different forms, and in the
- course of time they have all been mixed together into the notion
- of "the Great Abyss"; the Great Abyss is one of those things so
- necessary that like God, if it didn't already exist, it would
- have to be invented.
- One of the earliest sources for the Abyss comes from the
- Bible:
-
- "And the earth was without form, and void; and darkness was
- upon the face of the deep."
-
- Kabbalists adopted this view that there was a time before the
- creation characterised by Tohu and Bohu, namely Chaos and
- Emptiness [1]. Another idea mentioned several times in the Zohar
- [2] is that there were several failed attempts at creation
- *before* the present one; these attempts failed because mercy and
- judgement (e.g. force and form) were not balanced, and the
- resulting detritus of these failed attempts, the broken shells of
- previous sephiroth, accumulated in the Abyss. Because the shells
- (Qlippoth) were the result of unbalanced rigour or judgement they
- were considered evil, and the Abyss became a repository of evil
- spirits not dissimilar from the pit of Hell into which the
- rebellious angels were cast, or the rebellious Titans in Greek
- mythology who were buried as far beneath the Earth as the Earth
- is beneath the sky.
- Another theme which contributed to the notion of the Abyss
- was the legend of the Fall. According to the Kabbalistic
- interpretation of the Biblical myth, at the conclusion of the act
- of Creation there was a pure state, denoted by Eden, where the
- primordial Adam-and-Eve-conjoined existed in a state of divine
- perfection. There are various esoteric interpretations of what
- the Fall represents, but all agree that after the Fall Eden
- became inaccessible and Adam and Eve were separated and took on
- bodies of flesh here in the material world. This theme of
- separation from God and exile in a world of matter (and by
- extension, limitation, finiteness, pain, suffering, death -
- manifestations of the rigours or evil inherent in God) precedes
- Kabbalah and can be found in the Gnostic legend of Sophia exiled
- in matter. This idea of separation or exile from divinity mirrors
- very closely the use of the Abyss on the modern Tree to divide
- the sephiroth representing a human being from the sephiroth
- representing God.
- Isaac Luria (1534 -1572) introduced a new element into the
- notion of the Abyss with his idea of "tzimtzum" or contraction.
- Luria wondered how it was possible for the hidden God (En Soph)
- to create something out of nothing if there wasn't any nothing to
- begin with. If the En Soph (no-end, the infinite) is everywhere
- then how can we be distinct from the En-Soph? Luria argued that
- creation was possible because a contraction in the En Soph had
- created an emptiness where God was not, that En Soph had chosen
- to limit itself by a withdrawal, and this showed that the
- principle of self-limitation was a necessary precursor to
- creation; not only did this explain why the Creation is separate
- from the hidden God, but it emphasised that limitation was
- inherent in creation from the very beginning. Limitation,
- finiteness, the separation of one thing from another, what early
- Kabbalists referred to as the severity or "strict judgement" of
- God (what modern Kabbalists call "form") was a puzzling quality
- to introduce into the Creation given that it is the source of
- suffering and evil in the impersonal sense, what Dion Fortune
- calls "negative evil" [3]. Luria's notion of tsimtsum suggested
- that there was no possibility of creation without it, and
- provided a rather abstract explanation to one of the most
- persistent questions of all time, namely: "if God made the world
- and God is good, how come he made mosquitoes?".
- Pull together the various ideas of the Great Abyss and one
- ends up with a sort of vast, initially empty arena like a Roman
- amphitheatre where the drama of the Creation was enacted. The
- mysterious En Soph played a brief role as director from the
- imperial box, only to retire behind a veil at the conclusion of
- the performance leaving behind a huge power cord snaking in from
- the unknown region beyond the arena, and plugged-in to a socket
- at the rear of the sephira Kether. The lights of the sephiroth
- blaze out and illuminate the centre of this vast arena; this is
- Olam Ha-Nekudoth, "The World of Point Lights". At the periphery
- of the arena far from the lights of manifestation there is a deep
- darkness where all the cast-off detritus and spoil of the
- creation was deposited by weary angels and left to rot. A strange
- life lives there.
- The situation was more-or-less as described above when in
- 1909 Aleister Crowley decided to "cross the Abyss" and added to
- the mythology of the Abyss with the following description [4]:
-
- "The name of the Dweller in the Abyss is Choronzon, but he
- is not really an individual. The Abyss is empty of being; it
- is filled with all possible forms, each equally inane, each
- therefore evil in the only true sense of the word - that is,
- meaningless but malignant, in so far as it craves to become
- real. These forms swirl senselessly into haphazard heaps
- like dust devils, and each chance aggregation asserts itself
- to be an individual and shrieks `I am I!' though aware all
- the time that its elements have no true bond; so that the
- slightest disturbance dissipates the delusion just as a
- horseman, meeting a dust devil, brings it in showers of sand
- to the earth."
-
- I was struck when reading this by the similarity between
- Crowley's description above and the section on Hod and Netzach
- in which I described the chaos of a personality under the control
- of the "hosts" or "armies" of those two sephira, where a host of
- forms of behaviour compete for the right to be "me". Crowley's
- experience has far more in common with the rending of the Veil of
- Paroketh separating Yesod and Tiphereth, and further comments by
- Crowley add weight to this:
-
- "As soon as I had destroyed my personality, as soon as I had
- expelled my ego, the universe to which it was indeed a
- frightful and fatal force, fraught with every form of fear,
- was only so in relation to the idea `I'; so long as `I am I'
- all else must seem hostile. Now that there was no longer any
- `I' to suffer, all these ideas which had inflicted suffering
- became innocent. I could praise the perfection of every
- part; I could wonder and worship the whole."
-
- This is a very recognisable description of someone who has been
- released from the demon of the false self and the imprisoning
- triad of Hod, Netzach and Yesod, and moved through the Paroketh
- towards Tiphereth. Crowley's experience is valid as it stands,
- but what it might mean to "cross the Abyss", and the absurdity of
- Crowley's belief that he had achieved this, will be examined in
- the following section on Binah and Chokhmah.
- A twentieth-century Kabbalist who did succeed in adding
- something useful to the ever-expanding notion of the Abyss was
- Dion Fortune, in her theosophical work "The Cosmic Doctrine" [3].
- The form of this work appears to have been inspired by
- Blavatsky's "The Secret Doctrine", and certainly lives up to
- Fortune's claim that it was "designed to train the mind, not to
- inform it."
- Fortune describes three processes arising out of the
- Unmanifest (i.e. En Soph). Ring Cosmos is an anabolic process
- underlying the creation of forms of greater and greater
- complexity. Ring Chaos is a catabolic process underlying the
- destruction and recycling of form. Ring-Pass-Not is a limit where
- catabolism turns back into anabolism. She visualised this as
- three great rings of movement in the Unmanifest, with the motion
- associated with Ring Cosmos spiralling towards the centre, the
- movement of Ring Chaos unwinding towards the periphery, and the
- dead-zone of Ring-Pass-Not defining the outer limit of Ring Chaos
- as an abyss of unbeing, a cosmic compost heap where form is
- digested under the dominion of the Angel of Death and turned into
- something fertile where new growth can take place.
- The similarity between Fortune's description of Ring Chaos
- and what in programming is called a "reference-counting garbage
- collector" is remarkable, given that she was writing in the 30's.
- Many programming languages allow new programming structures to be
- created dynamically, thus allowing the creation of more and more
- complex structures. At the same time there is a mechanism to
- reclaim unused resources so that the system does not run out of
- memory or disc space, and the normal scheme is that if a
- structure is not referenced by any other structure, recycle it.
- In Fortune's language, if you want to destroy something, you
- "make a vacuum round it (i.e. remove all references). You prevent
- opposition from touching it. Then, being unopposed, it is free to
- follow the laws of its own nature, which is to join the motion of
- Ring Chaos."
- "Cosmic Doctrine" is a valiant attempt to say something
- quite profound; at an intellectual level it fails "abysmally",
- and I cannot read it without squirming, but it still has more raw
- Kabbalistic and magical insight at an intuitive level than just
- about anything else I have read. The idea of a cosmic reference-
- counting garbage collection process and an abyss of unbeing which
- is not so much a state as a process of unbecoming is something
- not easily forgotten once touched.
- A final example of an abyss is one which differs from the
- previous examples in that it brings to the fore the relationship
- between us, the created, and the Unmanifest, the En Soph itself.
- Kabbalistic writers agree that the Unmanifest is not nothing; on
- the contrary, it is the hidden wellspring of being, but as it is
- "not manifest being" it combines the words "not" and "being" in a
- conjuction which can be apprehended as a kind of abyss. Scholem
- [6] discusses this "nothingness" as follows:
-
- "The primary start or wrench in which the introspective God
- is externalised and the light that shines inwardly made
- visible, this revolution of perspective, transforms En Soph,
- the inexpressible fullness, into nothingness. It is in this
- mystical "nothingness" from which all the other stages of
- God's gradual enfolding in the Sefiroth emanate, and which
- the kabbalists call the highest Sefira, or the "supreme
- crown" of Divinity. To use another metaphor, it is the abyss
- which becomes visible in the gaps of existence. Some
- Kabbalists who have developed this idea, for instance Rabbi
- Joseph ben Shalom of Barcelona (1300), maintain that in
- every transformation of reality, in every change of form, or
- every time the status of a thing is altered, the abyss of
- nothingness is crossed and for a fleeting mystical moment
- becomes visible."
-
-
- It should be clear by now that the Abyss is a metaphor for
- a number of intuitions or experiences. I do not know how many
- different kinds of abyss there are, but there are some
- distinctions which can be made:
-
- - the Abyss of nothingness
-
- - the Abyss of separation
-
- - the Abyss of knowledge
-
- - the Abyss of un-being (or un-becoming)
-
- The perception that being and nothingness go hand-in-hand is
- something Sartre studied in great depth [7], and many of his
- observations on the nature of consciousness and its
- relatationship to negation or nothingness are among the most
- perceptive I have found. His arguments are lengthy and complex,
- and I do not wish to summarise them here other than to say that
- he viewed nothingness as the necessary consequence of a special
- kind of being he calls "being-for-itself", the kind of being we
- experience as self-conscious human beings.
- The Abyss of separation can be experienced as a separation
- from the divine, but it can also be experienced quite acutely in
- one's relationships with others and with the physical world
- itself. Much of what we perceive about the world and other people
- is an illusion created by the machinery of perception; strip away
- the trick, Yesod becomes Daath, and a yawning abyss opens up
- where one is conscious less of what one knows than of what one
- does not; it is possible to look at a close friend and see
- something more alien, remote and unknown than the surface of
- Pluto. This experience is closely related to the Abyss of
- knowledge, which is discussed in more detail in the discussion on
- Daath below.
- The Abyss of un-being is the direct perception that at any
- instant it is possible to not-be. This perception goes beyond the
- contemplation or awareness of physical death; it is the direct
- apprehension of what Dion Fortune calls "Ring Chaos", that un-
- being is less a state than a process, that at every instant there
- is an impulse, a magnetic attraction towards total self-
- annihilation on every level possible. The closer one moves
- towards the roots of being, the closer one moves towards the
- roots of un-being.
-
-
- Daath means "Knowledge". In early Kabbalah Daath was a
- symbol of the union of Wisdom (Chokhmah) and Understanding
- (Binah). The book of Proverbs is rich mine of material on
- the nature of these three qualities, material which forms the
- basis of many ideas in the Zohar and other Kabbalistic texts;
- e.g. Proverbs 3.13:
-
- "Happy is the man that findeth wisdom, and the man that
- getteth understanding....She is a tree of life to them that
- lay hold upon her: and happy is every one that retaineth
- her. The Lord by wisdom hath founded the earth; by
- understanding hath he founded the heavens. By his knowledge
- the depths are broken up, and the clouds drop down the dew"
-
- And Proverbs 24.3:
-
- "Through wisdom is an house builded; and by understanding is
- it established: And by knowledge shall the chambers be
- filled with all pleasant and precious riches."
-
- In the "Bahir" [8] and "Zohar" [e.g. 2] Daath represents the
- symbolic union of wisdom and understanding, and is their
- offspring or child. As the Microprosopus, often symbolised by
- Tiphereth, is also the symbolic child of Chokhmah and Binah,
- there is some room for confusion. According to the Zohar however,
- Daath has a specific location in the Microprosopus, namely in one
- of the three chambers of the brain, from where it mediates
- between the higher (Chokhmah and Binah) and the lower (the six
- sephiroth or "chambers" of the Microprosopus - see the reference
- to Proverbs 24.3 above).
- I have often puzzled as to why knowledge is the natural
- outcome of wisdom and understanding. It was only recently when I
- read Proverbs that I realised that wisdom was being used in the
- sense of something *external*, something which is received from
- someone else. As children we were told "do this" or "don't do
- that", and often couldn't question the wisdom of the advice
- because we lacked the understanding. I once had a furious row
- with my father about building a liquid fuel rocket engine in the
- house using petrol and hydrogen peroxide. He flatly refused to
- let me do it. I couldn't understand the problem - I was going to
- be careful. I now *know*, because I *understand* the stupidity of
- what I was trying to do, the *wisdom* of his refusal. Received
- wisdom cannot be integrated into oneself unless there is the
- capacity to understand it, and having understood, it becomes real
- knowledge which can be passed on again as wisdom to someone else.
- For early Kabbalists the ultimate wisdom was the wisdom of God as
- expressed in the Torah, and by attempting to understand this
- wisdom (and that is what Kabbalah was) they could arrive at the
- only knowledge truely worth having. Knowledge of God was the
- union between the higher and lower, and perhaps this is why Daath
- was never a sephiroth, something which manifests positively;
- since the Fall that knowledge has been lost. One of the
- unattributable pieces of Kabbalah I was taught was that Daath is
- the hole left behind when Malkuth fell out of the Garden of Eden.
- If you examine my derivation of the Tree of Life in Chapter 1.
- closely you will see that I have based some of it on this very
- astute observation.
- The notion of Daath as a "hole" appears to have originated
- this century. Gareth Knight, for example [9], provides a complete
- set of correspondences for Daath, many of which happen to be
- negative Tiphereth correspondences or misplaced correspondences
- borrowed from other sephiroth, but one at least is appropriate:
- he gives the magical image of Daath as Janus, god of doorways.
- Kenneth Grant [10], with his usual florid imagination, sees Daath
- as a gateway through to "outer spaces beyond, or behind, the Tree
- itself" dominated by Qlippothic forces.
- There is a deep correspondence between sephiroth in the
- lower face of the Tree and sephiroth in the upper face: look at
- the symmetry of the Tree and you should see why Malkuth,
- Tiphereth and Kether are linked, why Hod and Binah are linked,
- why Chokhmah and Netzach are linked, and most importantly for the
- purposes of this discussion, that there is a correspondence
- between Yesod and Daath. These are not just simple geometric
- symmetries; they express some important relationships which are
- experientially verifiable, and in terms of what makes most sense
- in Kabbalah and what does not, these relationships are important.
- Daath and Yesod, at different levels, are like two sides of the
- same coin. Jam the machinery of perception I said above, and
- Yesod can become Daath. The following quotation is taken from an
- bona-fide anthropological article [11] attempting to explain some
- of the characteristic features of cave art:
-
- "Moving into a yet deeper stage of trance is often
- accompanied, according to laboratory reports, by an
- experience of a vortex or rotating tunnel that seems to
- surround the subject. The external world is progressively
- excluded and the inner world grows more florid. Iconic
- images may appear on the walls of the vortex, often imposed
- on a lattice of squares, like television screens. Frequently
- there is a mixture of iconic and geometric forms.
- Experienced shamans are able to plunge rapidly into deep
- trance, where they manipulate the imagery according to the
- needs of the situation. Their experience of it, however, is
- of a world they have come briefly to inhabit; not a world of
- their own making, but a spirit world they are privileged to
- visit."
-
- This will come as no surprise to anyone who has read Michael
- Harner's "The Way of the Shaman" [5]. There on page 103 (plate 8)
- is a beautiful picture of the tunnel vortex, complete with
- prisms. When I first saw this picture I was astonished and
- recognised it instantly, prisms and all; when I showed it to my
- wife her reaction was the same. The tunnel vortex appears to be
- one of the constants of magical/mystical experience, and it
- appears in a very precise context. In Kabbalah the shamanic
- tunnel would be attributed to the 32nd. path connecting Malkuth
- to Yesod; this path connects the real world to the underworld of
- the imagination and the unconscious, and is commonly symbolised
- by a tunnel [eg.9]. However, using the symmetry of the Tree, this
- path also corresponds to the path at another level connecting
- Tiphereth across the Abyss, through Daath, to Kether. The
- tunnel/vortex at this level is no longer subjective, because this
- level of the Tree corresponds to the noumenal reality
- underpinning the phenomenal world, and links individual self-
- consciousness to something greater. Just as Yesod represents the
- machinery of sense perception, so Daath can flip over to become
- the Yesod of another level of perception, not sense perception,
- but something completely different that seems to operate out of
- the "back door" of the mind; this is objective knowledge, what
- used to be called gnosis.
- To conclude this section on Daath and the Abyss, it is worth
- asking what the relationship between the two ideas is. As I
- programmer I am continually aware of the gulf between abstract
- ideas, such as the number two and its physical representations in
- the world: 2, II, .., two etc. The number two can be represented
- in an infinite number of ways, and it is only when you share some
- understanding of my language that you can *begin* to guess that a
- particular mark in the world represents the number two. The
- situation is even worse than it might seem; a basic theorem of
- information theory states that the optimum way of expressing any
- piece of information is one where the symbols occur completely
- randomly. I could take this paragraph, pass it through an optimal
- text compressor and the same piece of text would be
- indistinguishable from random garbage. Only I, knowing the
- compression procedure, could extract the original message from
- the result. Whatever we call information appears to exist
- independently of the physical world, and uses the world of chalk
- marks, ink marks, magnetic domains or whatever like a rider uses
- a horse. To me, the gulf is irreconcilable; between the physical
- world and the world of the mind is an abyss, and I am not
- indulging in "new physics" or anything vaguely suspect - this is
- meat and drink to the average progammer, who spends most of his
- or her time transforming abstractions from one symbol set to
- another.
- To take a slightly different approach, there is a
- mathematical proof that there is no largest prime number. I know
- that proof. No dissection of my brain will ever reveal the proof
- to someone who does not know it. I am prepared to bet a large
- quantity of alcohol that it is theoretically impossible to
- discover; the proof that there is no largest prime number will
- never be extracted even if you assume a neurologist capable of
- mapping every atom in my brain. Evolution tends towards
- optimality, and I think the proof will be encoded optimally to
- look like random garbage. There is an abyss here; there is
- knowledge which can never be attained. In Kabbalah this
- particular abyss is called the abyss of Assiah; it is the first
- in a series of abysses. The next abyss is the abyss of Yetzirah,
- and it is this abyss I have been discussing for most of this
- section. There are further abysses, and this should be clearer
- when I discuss the Four Worlds and the Extended Tree. The Abyss
- and Daath go together because the Abyss sets a limit on what can
- be *known* from below the Abyss; the abyss is an abyss of
- knowledge, and Daath is the hole we fall into when we try probe
- beyond. Can the nature of God be expressed in terms of anything
- human? No. God is as human as a cockroach, as human as a lump of
- stone, as human as a star, as human as empty space. So how can
- you *know* anything about God? Only when Daath flips over to
- become the Yesod of another world can you *know* anything, but
- unfortunately the fiery speech of angels is like leprecaun's
- gold: by the time you've taken it home to show to your friends,
- you've nothing but a purse of dried leaves.
-
- [1] Robert Graves & Raphael Patai, "Hebrew Myths: The Book of
- Genesis", Arena 1989
-
- [2] Mathers, S.L., "The Kabbalah Unveiled", RKP 1981
-
- [3] Fortune, Dion, "The Cosmic Doctrine", Aquarian 1976
-
- [4] Crowley, Aleister, "The Confessions of Aleister Crowley",
- Bantam 1970
-
- [5] Harner, Michael, "The Way of the Shaman", Bantam 1982
-
- [6] Scholem, Gershom G., "Major Trends in Jewish Mysticism",
- Schocken 1974
-
- [7] Sarte, Jean-Paul, "Being and Nothingness", Routledge 1989
-
- [8] Kaplan, Aryeh, "The Bahir Illumination", Weiser 1989
-
- [9] Knight, Gareth, "A Practical Guide to Qabalistic Symbolism",
- Vols 1 & 2, Helios 1972
-
- [10] Grant, Kenneth, "Cults of the Shadow", Muller 1975
-
- [11] Lewin, Roger, "Stone Age Psychedelia", New Scientist 8th.
- June 1991
-
- Copyright Colin Low 1991
-